Russ Pond

Checking out Wistia for embedded videos in blogs

I stumbled across this new video sharing site called Wistia, and I’m curious to see what makes them different.  I already abandoned YouTube earlier this year, and Vimeo has been a great tool to switch to.  I’m curious if Wistia has any better features that what I’m used to now.

Below is an embedded video I did.  Going to see what the difference is.

I’ll update this post with some feedback after checking it out.

UPDATE: My first reaction is, “Dang, it’s expensive.”  Here’s how Vimeo and Wistia compare:

  • Vimeo has a free basic account and a “Pro” paid account $10 per month.
  • Wistia doesn’t have a free account, and their basic account is $40 per month.

At those prices, Wistia’s basic account needs to be 400% better than Vimeo’s Pro account (and infinitely better than Vimeo’s basic account).

Wistia feels a bit more like a service for companies and site designers, not a video sharing services for the masses, especially for video hobbyists.

Switching from YouTube to Vimeo

I think I’ve decided to switch my video hosting needs from YouTube to Vimeo.

The pattern I’m seeing is that YouTube is starting to remind me a lot of MySpace — cluttered, buggy, not user friendly, and full of trash. Vimeo feels a lot more like Facebook — clean, structured, user friendly and fun — other than Facebook’s bazillion apps. I hate those things.

Here are a few things I like about Vimeo:

  • Not only do they have more thumbnails to choose from, they let you upload your own.
  • The video quality just seems better. When uploading the Fissure web series on YouTube, it almost always glitched on the opening. Vimeo was perfect.
  • I love how Vimeo gives you a Quicktime MP4 download option. Very cool!
  • I’ve started using Vimeo for client reviews. The password protected feature rocks.
  • The overall interface is just clean, uncluttered and easy to use.

So, I’m making the switch.  Here’s the Fissure movie trailer from Vimeo:

As a comparison, here’s the YouTube video of the Fissure trailer:

Zero percent of a million is still zero

Here’s is a painful but relevant story on the effect of the Internet and it’s ability to reach the masses:

A friend of mine was asked by a musician to help him do a huge mail-out of CDs.

The musician had pressed up 10,000 copies of his CD in anticipation of 10,000 orders that were sure to come through that week.

He had bought a quarter-page advertisement in the back of a magazine with a circulation of one million people.

He kept saying, “If only one percent of the people reading this magazine buy my CD… that’ll be 10,000 copies! And that’s only one percent!”

He bought 10,000 padded mailers and mailing labels. He converted his garage into a big mailing center.

He kept saying, “Maybe we can get like 10 percent! That’s 100,000! But worst case scenario, if only 1 percent… that’s still awesome!”

The magazine issue came out, and… nothing. He bought an issue. There was his ad. But the orders were not coming in! Was something wrong? No. He tested it. Everything was working.

Over the next few weeks he received four orders. Total CDs sold: 4.

My friend telling the story ends it with the best line:

“He forgot there was a number lower than one percent.”

I think of this every time I hear business plans that say, “With over 30 million iPhones sold, our app is sure to…”

Digital downloads changing the landscape

Just read this article on how digital downloads will “decimate” the music industry by the time Madonna turns 60:

A study last year conducted by members of PRS for Music, a nonprofit royalty collection agency, found that of the 13 million songs for sale online last year, 10 million never got a single buyer and 80 percent of all revenue came from about 52,000 songs. That’s less than one percent of the songs.