The guys at stillmotion have put together this excellent tutorial video on lens selection for the Canon DSLR cameras.
Thanks guys! Excellent information!
The guys at stillmotion have put together this excellent tutorial video on lens selection for the Canon DSLR cameras.
Thanks guys! Excellent information!
Here’s a great article by Seth Godin about chasing your dreams while hoping for that magic lottery ticket.
Entrepreneurial hope is essential. It gets us over the hump and through the dip. There’s a variety of this hope, though, that’s far more damaging than helpful.
This is the hope of the magic lottery ticket.
A fledgling entrepreneur ambushes a venture capitalist who just appeared on a panel. “Excuse me,” she says, then launches into a two, then six and eventually twenty minute pitch that will never (sorry, never) lead to the VC saying, “Great, here’s a check for $2 million on your terms.”
Or the fledgling author, the one who has been turned down by ten agents and then copies his manuscript and fedexes it to twenty large publishing houses–what is he hoping for, exactly? Perhaps he’s hoping to win the magic lottery, to be the one piece of slush chosen out of a million (literally a million!) that goes on to be published and revered.
You deserve better than the dashed hopes of a magic lottery.
There’s a hard work alternative to the magic lottery, one in which you can incrementally lay the groundwork and integrate into the system you say you want to work with. And yet instead of doing that work, our instinct is to demonize the person that wants to take away our ticket, to confuse the math of the situation (there are very few glass slippers available) with someone trying to slam the door in your faith/face.
You can either work yourself to point where you don’t need the transom, or you can play a different game altogether, but throwing your stuff over the transom isn’t worthy of the work you’ve done so far.
Starbucks didn’t become Starbucks by getting discovered by Oprah Winfrey or being blessed by Warren Buffet when they only had a few stores. No, they plugged along. They raised bits of money here and there, flirted with disaster, added one store and then another, tweaked and measured and improved and repeated. Day by day, they dripped their way to success. No magic lottery.
What chance is there that Mark Cuban or Carlos Slim is going to agree to be your mentor, to open all doors and give you a shortcut to the top? Better, I think, to avoid wasting a moment of your time hoping for a fairy godmother. You’re in a hurry and this is a dead end.
When someone encourages you to avoid the magic lottery, they’re not criticizing your idea nor are they trying to shatter your faith or take away your hope. Instead, they’re pointing out that shortcuts are rarely dependable (or particularly short) and that instead, perhaps, you should follow the longer, more deliberate, less magical path if you truly want to succeed.
If your business or your music or your art or your project is truly worth your energy and your passion, then don’t sell it short by putting its future into a lottery ticket.
Here’s another way to think about it: delight the audience you already have, amaze the customers you can already reach, dazzle the small investors who already trust you enough to listen to you. Take the permission you have and work your way up. Leaps look good in the movies, but in fact, success is mostly about finding a path and walking it one step at a time.
I meet too many young filmmakers with this same “magic lottery ticket” mentality to filmmaking.
Excellence in anything requires hard work, diligence, perseverance, risk and some sweat equity. Notice that excellence doesn’t require any luck or chance.
Last Sunday marked an interesting time in television, especially when compared to television 20 years ago. Last Sunday night was the series finale for Lost. The 2.5 hour event was prefaced with incredible amounts of direct and indirect marketing hype. It was to be a pivotal event with massive viewership expected.
Total viewers for the epic finale event: 13.5 million viewers.
Sounds pretty impressive, until you compare it to the finale of M*A*S*H. 20 years ago: 106 million viewers.
I find the comparison absolutely amazing! Surely Lost with it’s pervasive reach, rabid fan base and marketing hype could reach most of America. After all, weren’t all your friends talking about the upcoming Lost finale? But, the Lost viewership was only 12% of the size of those who tuned it for the finale of M*A*S*H.
And yet, the season finale of Lost was declared a complete success with its numbers and exposure. If the February 29, 1983 airing of M*A*S*H would have landed 13.5 million viewers, would it have been declared a success? I doubt it.
Today’s viewing marketing is broad, vast and diverse. Back in 1983, there were far fewer viewing options and platforms–no Internet, Netflix, iTunes nor DVRs.
While it may sound discouraging for producers, I believe this is great news for indie producers. Today’s options are amazing. You can now produce content directly to your audience and reach your audience through a myriad of channels. The key is know your audience and market to your audience. Be specific. Target your message. And, be really good at what you do.
From Seth Godin – five steps to succeed for just about everyone and everything:
The number of people you need to ask for permission keeps going down:
When in doubt, see #1.
The Canon 7D is a great camera, but at the end of the day, it’s all about writing, acting, pacing, shooting, editing — bringing all those pieces together to create an emotional, compelling story. This short, called “Hope Lights” does that. Yes, it was shot on the 7D, but more than that, it tells a great story!
Well done!
Copyright © 2025 · Russ Pond
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